“Synchronous one-armed figure eights gave way to two-arm motions and then to full-bodied propulsion with transfixing specificity – Butoh on fast-forward. Split into momentous trajectories, they were drawn back together by the fearsome energy of Davis’ gaze – one suspects there is rarely a moment, in dance or in life, when she is unsure of her destination.” - Claudia Bauer for DanceTabs